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		<loc>https://gabriellewelsh.com</loc> 
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		<loc>https://gabriellewelsh.com/About</loc> 
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		<loc>https://gabriellewelsh.com/Word-Hunters</loc> 
		<lastmod>2019-11-21T19:43:07+00:00</lastmod>
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		<loc>https://gabriellewelsh.com/ON-JOURNAL</loc> 
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			<image:loc>https://freight.cargo.site/t/original/i/c2a7907f5e778819ad5e400fc40bc0ef6ad805302e09f106aa79b5242649b382/being_read.jpg</image:loc>
			<image:caption>Being Read (Iss. 2, Fall 2018)</image:caption>
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			<image:caption>Rules (Iss. 3, Fall 2019)</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/438d5736a38ea200dc69a1b1ef7149e56a31f77e3c9080481b65e89db6f47e8a/the_art_of_failure.jpg</image:loc>
			<image:caption>The Art of Failure (Iss. 1, Spring 2018)</image:caption>
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	<url> 
		<loc>https://gabriellewelsh.com/On-Editorial</loc> 
		<lastmod>2019-11-21T19:12:56+00:00</lastmod>
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	<url> 
		<loc>https://gabriellewelsh.com/A-Contemporary-Approach-To-Religious-Symbols</loc> 
		<lastmod>2019-11-21T19:26:37+00:00</lastmod>
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			<image:loc>https://freight.cargo.site/t/original/i/285b4701f69a746f335e35cc0ea2bdea3685556cd70fb436b9fb3135d904dee9/Kaphar_Ascension_detail_02-360x539.jpg</image:loc>
			<image:caption>Titus Kaphar, “Ascension” (detail) (2016) oil on canvas with brass nails, 108 × 84 × 1 ½ in.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/7ac66e7aebf5e03af8240897064fee65f5ac747e620d54636334b66b2ca0d889/Mendieta_Silueta_2002_46_10-e1569433298396.jpg</image:loc>
			<image:caption>Ana Mendieta, Untitled from the Silueta series, 1973–77.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/4386c1d3640ac8a5e67b6bb57e504c3a0505bc37ce323743d5bf4bd91e29195e/Pfeiffer_Fragment_02-e1569433434717.jpg</image:loc>
			<image:caption>Paul Pfeiffer, “Fragment of a Crucifixion (After Francis Bacon)” (detail) (1999)</image:caption>
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			<image:caption>Andres Serrano, Untitled (Knifed to Death I and II), 1992 (all images courtesy the Museum of Contemporary Art Chicago)</image:caption>
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	<url> 
		<loc>https://gabriellewelsh.com/Glimmer-and-Shine</loc> 
		<lastmod>2019-11-21T19:42:33+00:00</lastmod>
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			<image:caption>Otobong Nkanga, Social Consequences II—Choices we make, 2009 Courtesy of the artist Photo: courtesy of Lumen Travo Gallery, Amsterdam and Galerie In Situ – Fabienne Leclerc, Paris.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/8b295754da92ffca085baeda49ce79e8f518e06f63b45ad3a51ff9970abfbdea/ON_PursuitBling-1024x683.jpg</image:loc>
			<image:caption>Otobong Nkanga In Pursuit of Bling, 2014 Joint purchase of the Stedelijk Museum, Amsterdam and the Musem Arnhem, with the generous support of the Vereniging Rembrandt, thanks to its Titus Fonds, and he Mondriaan Fund Photo: Eva Broekema</image:caption>
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	<url> 
		<loc>https://gabriellewelsh.com/Against-the-Biennale</loc> 
		<lastmod>2019-11-21T19:36:36+00:00</lastmod>
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			<image:loc>https://freight.cargo.site/t/original/i/a86ee6f408e3e4d68abbbe63202605321376d2d198373a462ad9a2d37c8be641/Screen-Shot-2018-09-13-at-2.41.06-PM.png</image:loc>
			<image:caption>Grada Kilomba, ILLUSIONS, Vol. II, OEDIPUS, 2018, courtesy Grada Kilomba, photo: Kathleen Kunath</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/29d69027730676b0fbbb8bfc594fc76014d5f95b3dd373afb419b36630f05a82/Screen-Shot-2018-09-13-at-2.44.00-PM.png</image:loc>
			<image:caption>Grada Kilomba, ILLUSIONS Vol. II, OEDIPUS, 2018, 2-channel video, color, sound, 32′, Installation view, KW Institute for Contemporary Art, Berlin, courtesy Grada Kilomba; Goodman Gallery, Johannesburg/Cape Town, Photo: Timo Ohler.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/65baa88cbe33a146458daf034d3fe0fd4e1939fd14a2e74d3d338543e8f57cfa/Screen-Shot-2018-09-13-at-2.46.09-PM.png</image:loc>
			<image:caption>Mario Pfeifer, Again / Noch einmal, 2018, 4K video transferred to HD, 2-channel installation, color, 5.1 Surround, 23′, video still, courtesy Mario Pfeifer; KOW, Berlin, © 2018 VG Bild-Kunst, Bonn</image:caption>
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	<url> 
		<loc>https://gabriellewelsh.com/The-Endless-Work-of-Labor</loc> 
		<lastmod>2019-11-21T19:42:20+00:00</lastmod>
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	<url> 
		<loc>https://gabriellewelsh.com/Nothing-to-See-Here</loc> 
		<lastmod>2019-11-21T19:18:53+00:00</lastmod>
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	<url> 
		<loc>https://gabriellewelsh.com/Contact</loc> 
		<lastmod>2021-02-09T16:59:48+00:00</lastmod>
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		<loc>https://gabriellewelsh.com/Selected-Writings</loc> 
		<lastmod>2024-01-11T16:04:29+00:00</lastmod>
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